| Do you know this? |
| This is wonderful
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| X marks the spot
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| X marks the spot
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| Imagine this going on and on
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| Supposing my finger were indefinitely long, both fingers, they’re just crossing
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| each other
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| Now, on one side of it it’s a pair of scissors, and it cuts
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| What is it on the other side?
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| Why, it’s opening female legs saying, «Please, come in.»
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| Please, come in, Please, come in, Please, come in
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| Please, come in, Please, come in, Please, come in
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| One side of it it’s a pair of scissors
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| What is it on the other side?
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| Utter softness, utter receptiveness; |
| on the other side it’s «Krrrrck!»
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| But on this side it’s, «Please, please, please, please! |
| Yes! |
| Welcome!»
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| And everything’s based on that. |
| See?
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| It’s «Krrrck» this way; |
| sharpness, teeth, biting, spines, crab shells,
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| all that kind of thing, you know?
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| On the other side it’s the melting softness of life
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| Please, come in, Please, come in, Please, come in
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| Please, come in, Please, come in, Please, come in
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| One side of it it’s a pair of scissors
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| What is it on the other side?
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| So if you see that, if you get that principle, you can feel yourself
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| Not sort of just rattling around in the world — as kind of a, you know,
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| somebody’s been stuck down there
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| But you can feel yourself going on in absolutely exact relationship
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| With everything around you
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| Please, come in, Please, come in, Please, come in
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| Please, come in, Please, come in, Please, come in
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| One side of it it’s a pair of scissors
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| What is it on the other side?
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| Please, come in, Please, come in, Please, come in
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| Please, come in, Please, come in, Please, come in
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| One side of it it’s a pair of scissors
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| What is it on the other side?
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| And this is very beautiful |