| Stir into the essence pot
|
| Close-up, cross-fade and mid-shot
|
| Sprinkle short ends on the gruel
|
| Tape splice and camera spool
|
| Focus and fade
|
| A-B rolling, f-stop and grade
|
| Swirl the potpourri around
|
| Sync-pulse, pic-sync and sync-sound
|
| Chalk of slate and pinch of pan
|
| Reclaims, reversals, recans
|
| Mag-stripe, mic-tap
|
| Kodachrome, cut-away and clap
|
| Fire, burn, and cauldron, splutter
|
| Double sprocket, frame line cutter
|
| All hail, Murnau
|
| Round about the cauldron go
|
| In the Fujicolour throw
|
| Leader, white or clear or black
|
| Splice it with an atmos track
|
| VNF, Plus X
|
| Double X, Four X, Tri X
|
| Make the gruel thick and slab
|
| Com-mag, com-opt and sep-mag
|
| T-core, B-winding and dub
|
| Cool it with an actor’s blood
|
| Fade-out, fade-in
|
| Double-headed, edge numbering
|
| Fire, burn, and cauldron, simmer
|
| Black/white spacing, grip and dimmer
|
| All hail, Mayer
|
| Pare a print in the potion
|
| Season it with slow motion
|
| By the swaying of the booms
|
| Something wicked this way zooms
|
| Coated and cut
|
| Shutter speed, through the base, light-struck
|
| Now about the cauldron sing
|
| Mark it, in camera, running
|
| Show your negs and grieve your art
|
| Come like shadows, so depart
|
| Mystic circle
|
| Round the reel sparks now hurtle
|
| Fire, burn, and cauldron, fester
|
| Acetate and polyester
|
| All hail, Fritz Lang |